The last two weeks have been rapid-fire. I presented my thesis research at two different universities as part of the interview process for Assistant Professor design positions. The last one was, coincidentally, was in the precise location of the 2013 Emerge Conference. I had nothing to do with planning it this way it’s just how things worked out. In fact, I was so buried in the preparation for these interviews that the Emerge Conference dropped completely off my radar screen. So, as I am presenting on one part of the campus, about the idea of design fiction as a serious area of design research, Bruce Sterling and Brad Allenby, pivotal voices in future thinking, are presenting in another. It just seemed weird, especially since I had no idea it was going on until I got into town. Sterling, of course, is credited with creating the neologism known as “design fiction,” and though he probably has no idea that I exist, I think we are watching closely from similar perspectives. Note the similarities with his recent blog and my post from a few weeks ago.
It was an exhausting day of meetings and presentations, so I was anxious to get back to the hotel and decompress. Despite this I could not pass up the opportunity to trek across campus for a 6:30 screening of the digitally remastered 1987 classic, Blade Runner, in an awesome little theater with a shake-your-chair sound system. After the film, who else but Syd Mead shows up to field questions. Mead, complete with sunglasses, says he’s 79 years old, but there are no signs that he’s slowing down. He’s sharp as a tack and a bit feisty. Mead said that he is quite comfortable with revising his concepts or with ideas being outright rejected, as long as he gets paid. I think that some of the students saw his ‘show-me-the-money’ attitude as a bit arrogant, but Mead is a design and concept-art legend, he’s been working in the profession for a long time, and knows the way great designs and great art would rarely come to life without free enterprise. So, while some students may see the idea of commerce as a tool of capitalist oppression, Syd gets paid. Good for him.
All that being said, the presentations over the past couple of weeks went well, I think. I’m thinking that close to 100 turned out for my last one. Most of the comments were positive and encouraging. I may even have a few more converts to the web comic, but after the rigorous interview processes I have no idea where all of this will end up. Maybe none of it will turn into gainful employment, but they all add up to great experiences and the chance to share ideas with smart people.