When we look at speculative futures, the tendency can be to focus on the technologies and futuristic designs. But technology and design send out ripples beyond their form and function and have an undeniable impact on culture and behavior.
Early on in my character design for The Lightstream Chronicles a colleague mentioned that she was offended by my depiction of women. I was a bit shell-shocked at the time so I didn’t delve into her rationale. In hindsight however, though I disagree, I can understand her point. You have to realize that, at that time, early in character development, Marie_D, Kristin’s domestic synth had a more developed chest and noticeable nipples—sans clothing. This characterization of Marie, actually caught quite a bit of flack. In my mind, however, my intent was anything but the sexualization of my female characters, rather it was motivated by the storyline, that visible, near-nakedness is something taken for granted in the 22nd century. Nevertheless, I reluctantly re-designed Marie to have a pronounced chest, yet without articulated breasts and minus the nipples. I must admit, I like this better for the domestic model.
My rationale for any imagery that may be read as over-sexualized is something I have written about before. Namely, that just as 100 years ago we would be shocked by the thong and bikini, we are equally taken aback at the thought that in another 100 or so years clothing may be a thing of the past. In my story, thin, vacuum sealed second-skins, wrap all the characters in a bio-aware cocoon and any protruding curves, bulges or contours are part of the package, so to speak. While it may cause some base titillation for the various sexes in that day and age, it is no more so than similarly provocative clothing works today. And with genetic tech that enables every human to have the body of their dreams, these contours are deliberate fashion statements. So it remains part of the story line.
As far as whether it is sexist or these are gender stereotypes. An online dictionary will quickly produce this definition:
attitudes or behavior based on traditional stereotypes of sexual roles.
discrimination or devaluation based on a person’s sex, as in restricted job opportunities; especially, such discrimination directed against women.”
Two characteristics seem to emerge. First there is “attitudes or behaviors”, and the second is “discrimination or devaluation…especially such discrimination directed against women.”
Here I can confidently say that none of the above apply. First, there is no discrimination based on sex or devaluation for that matter. Kristin, our major female character is clearly in charge. She is a strong, single mother who does not rely on males for validation, nor on or her body in any kind of overtly sexual role. It is arguable that Kristin is in fact more dominant that her male counter parts, (aside from Col. Chen’s gratuitous bullying by virtue of his powerful position). Futhermore, in The Lightstream Chronicles, both women and men are visualized in the same way.
This is more of a commentary on steadily changing social mores than on any kind of gender stereotyping.
I have often thought that the true state of affairs in 150 years might be so unrecognizable that readers would find it too provocative or unsettling. So if things continue to heat up in The Lightstream Chronicles, don’t be too surprised. At the same time consider that it could actually be much worse.