Tag Archives: Modo

Graphic novel concept art unveiled

Phase 1 of my graphic novel project is now online. The book will be titled: LIGHTSTREAM The Graphic Novel: Moment of Truth.

Here is the synopsis.

The year is 2159. One major, global government — New Asia — has engulfed most of Europe and North America. The government maintains tight control of the Lightstream — the evolved Internet — as well as rights and freedoms. Science has made it possible to manufacture life-like bionic persons. Known as synthetics, these bionics are found in all walks of life and can be virtually indistinguishable from humans.

In the former America, the largest city is New Hong Kong (also known as HK2). Here, the celebrity-son of a high-ranking government official is brutally attacked and left for dead. Police investigator Keiji-T, the latest in synthetic technology is assigned to the case. Under pressure from above, Keiji is given 24 hours to find the truth or to pin the crime on “the usual suspects”.  Though confident that his highly advanced programming has prepared him for the task, Keiji suddenly encounters conflicting instructions from a mysterious data implant.

In the next 24 hours Keiji, together with his human and synthetic counterparts, must unravel what is true and false in a world where it is difficult to tell what is real.

There you have it. Concept art is being showcased in several places. 1. DeviantArt, 2. The CGSociety, 3. scottdenison.com Ultra hi-res images are on DeviantArt which is set up for big files.

A few notes on design which you probably have gathered from my previous blog posts. I have another year of work on roughly 100 pages of CG but this is the look and feel that I will be working toward on every page. Since the entire graphic novel will be built in CG, that makes the scope of the project enormous. I have had to resort to starting with base stock models primarily for figures, clothing and and some background architecture. This is something I’ve wrestled with this for a long time but if I have to create everything myself the project will never be finished and most of these have been greatly customized and 90% of the environments, vehicles and props are all custom using Maya and Modo. The rendering is in Bryce. There is only minor retouching in Photoshop and the framing and typography are using Illustrator.

Comments welcome.

I’m taking Labor Day off. Hope you enjoy.

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CG software: Does it ever stop?

As promised, I’m going to discuss the maze of CG software that I’ve been toying with and contemplating for my project. I will try to avoid this turning into a rant. Let’s go way back. When 3D software was still in it’s infancy, I fell in love with it and I wanted to learn it and know it as well as my 2D software. I started out with Strata (is that still around?) and quickly acknowledged its limitations. Somewhere around that time, I also adopted the early generations of Poser, and Bryce, which were inexpensive by comparison and managed to do a decent job (for that day and age). It must have been the early ’90s when I made the leap into Power Animator, which I still dearly love and miss. Of course, when all of those companies changed hands and consolidated and such Power Animator went away and Maya was born. There were some similarities, but ultimately, it was a different program altogether. Being self-taught and self-employed, by the late ’90s I ended up abandoning the Maya platform for a number of reasons:

1) Cost of software. Maya was too expensive. Way too expensive. And this was no one-time investment; this was a yearly outlay of big bucks.

2) Cost of hardware. In the beginning, I used SGI hardware, but then they vaporized and the price for new hardware to drive the relentlessly new software just got too crazy. (When the motherboard goes on your Octane and the company is out of business, well, you move on.)

3) Difficulty. Maya was no longer the kind of program that you could teach yourself. With each new iteration, there was new learning and I couldn’t keep pace.

4) By the time Maya was available for the Mac all of the above had already passed me by.

So, I resorted to Bryce for the lion’s share of my rendering. Some of you will laugh, but I exploited that software for all it was worth and still do, despite some annoying aspects and limitations. I also picked up a copy of SolidThinking to continue my NURBS modeling but this was a squirrely program that crashed often and produced unreliable results. I also ventured into Maxwell, Modo and now, since Autodesk lets students use Maya for free, (great idea by the way) I have come full circle. As I suspected, the learning curve is steep, stepping in after years of being away.

Where does that leave me now? As I stare down the massive project ahead, I think I’m going to end up using them all in some way, shape or form; Bryce, Poser, Maya, Modo and MaxwellRender. Life would be ideal if they all played nicely together, but as composer, conductor and first violin on this project, I may have to sacrifice tidy workflow for speed. And, unless Maya is your career, I venture to say that it is anything but fast. No discussion of 2D art (even if it’s 3D generated) would be complete without mentioning Photoshop, which I still hold out as one the finest pieces of software ever designed and thank God, they have never ruined. That’s my toolbox for now. I’ll keep you posted. Your thoughts, as always, are welcome.

 

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