Tag Archives: The BBC

Enter the flaw.

 

I promised a drone update this week, but by now, it is probably already old news. It is a safe bet there are probably a few thousand more drones than last week. Hence, I’m going to shift to a topic that I think is moving even faster than our clogged airspace.

And now for an AI update. I’ve blogged previously about Kurzweil’s Law of Accelerating Returns, but the evidence is mounting every day that he’s probably right.  The rate at which artificial intelligence is advancing is beginning to match nicely with his curve. A recent article on the Txchnologist website demonstrates how an AI system called Kulitta, is composing jazz, classical, new age and eclectic mixes that are difficult to tell from human compositions. You can listen to an example here. Not bad actually. Sophisticated AI creations like this underscore the realization that we can no longer think of robotics as the clunky mechanized brutes. AI can create. Even though it’s studying an archive of man-made creations the resulting work is unique.

First it learns from a corpus of existing compositions. Then it generates an abstract musical structure. Next it populates this structure with chords. Finally, it massages the structure and notes into a specific musical framework. In just a few seconds, out pops a musical piece that nobody has ever heard before.

The creator of Kulitta, Donya Quick says that this will not put composers out of a job, it will help them do their job better. She doesn’t say how exactly.

If even trained ears can’t always tell the difference, what does that mean for the masses? When we can load the “universal composer” app onto our phone and have a symphony written for ourselves, how will this serve the interests of musicians and authors?

The article continues:

Kulitta joins a growing list of programs that can produce artistic works. Such projects have reached a critical mass–last month Dartmouth College computational scientists announced they would hold a series of contests. They have put a call out seeking artificial intelligence algorithms that produce “human-quality” short stories, sonnets and dance music. These will be pitted against compositions made by humans to see if people can tell the difference.

The larger question to me is this: “When it all sounds wonderful or reads like poetry, will it make any difference to us who created it?”

Sadly, I think not. The sweat and blood that composers and artists pour into their compositions could be a thing of the past. If we see this in the fine arts, then it seems an inevitable consequence for design as well. Once the AI learns the characters, behaviors and personalities of the characters in The Lightstream Chronicles, it can create new episodes without me. Taking characters and setting that already exist as CG constructs, it’s not a stretch that it will be able to generate the wireframes, render the images, and layout the panels.

Would this app help me in my work? It could probably do it in a fraction of the time that it would take me, but could I honestly say it’s mine?

When art and music are all so easily reconstructed and perfect, I wonder if we will miss the flaw. Will we miss that human scratch on the surface of perfection, the thing that reminds us that we are human?

There is probably an algorithm for that, too. Just go to settings > humanness and use the slider.

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The robo-apocalypse. Part 1.

Talk of robot takeovers is all the rage right now.

I’m good with this because the evidence is out there that robots will continue to get smarter and smarter but the human condition, being what it is, we will continue to do stupid s**t. Here are some examples from the news this week.

1. The BBC reported this week that South Korea has deployed something called The Super aEgis II, a 50-caliber robotic machine gun that knows who is an enemy and who isn’t. At least that’s the plan. The company that built and sells the Super aEgis is DoDAAM. Maybe that is short for do damage. The BBC astutely notes,

“Science fiction writer Isaac Asimov’s First Law of Robotics, that ‘a robot may not injure a human being or, through inaction, allow a human being to come to harm’, looks like it will soon be broken.”

Asimov was more than a great science-fiction writer, he was a Class A futurist. He clearly saw the potential for us to create robots that were smarter and more powerful than we are. He figured there should be some rules. Asimov used the kind of foresight that responsible scientists, technologists and designers should be using for everything we create. As the article continues, Simon Parkin of the BBC quotes Yangchan Song, DoDAAM’s managing director of strategy planning.

“Automated weapons will be the future. We were right. The evolution has been quick. We’ve already moved from remote control combat devices, to what we are approaching now: smart devices that are able to make their own decisions.”

Or in the words of songwriter Donald Fagen,

“A just machine to make big decisions
Programmed by fellows with compassion and vision…1

Relax. The world is full of these fellows. Right now the weapon/robot is linked to a human who gives the OK to fire, and all customers who purchased the 30 units thus far have opted for the human/robot interface. But the company admits,

“If someone came to us wanting a turret that did not have the current safeguards we would, of course, advise them otherwise, and highlight the potential issues,” says Park. “But they will ultimately decide what they want. And we develop to customer specification.”

A 50 caliber round. Heavy damage.
A 50 caliber round. Heavy damage.

They are currently working on the technology that will help their machine make the right decision on its own., but the article cites several academics and researchers who see red flags waving. Most concur that teaching a robot right from wrong is no easy task. Compound the complexity because the fellows who are doing the programming don’t always agree on these issues.

Last week I wrote about Google’s self-driving car. Of course, this robot has to make tough decisions too. It may one day have to decide whether to hit the suddenly appearing baby carriage, the kid on the bike, or just crash the vehicle. In fact, Parkin’s article brings Google into the picture as well, quoting Colin Allen,

“Google admits that one of the hardest problems for their programming is how an automated car should behave at a four-way stop sign…”

Humans don’t do such a good job at that either. And there is my problem with all of this. If the humans who are programming these machines are still wrestling with what is ethically right or wrong, can a robot be expected to do better. Some think so. Over at DoDAMM,

“Ultimately, we would probably like a machine with a very sound basis to be able to learn for itself, and maybe even exceed our abilities to reason morally.”

Based on what?

Next week: Drones with pistols.

 

1. Donald Fagen, IGY From the Night Fly album. 1982
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