Unfortunately, they are not yet available to view. I need to complete 4 more spreads to end Chapter 1. At that point I need to put together a Kickstarter project and see if I can get some support to complete the remaining 200-odd pages (all in CG). Most of the feedback from the “editorial staff” of friends and family has been positive with lots of good suggestions. I also need to put in some work on the books web site, and a way of showcasing the uber-hi-res images for the Chapter 1 preview which will come with the Kickstarter launch.
I recently posted one of those signs you see on message boards with the little tear-off tabs around the art/design building on campus looking for a Chinese translator. As nifty as Google Translator is, it really doesn’t give you context which is all-important in Chinese (and most other languages for that matter). As you know, my graphic novel takes place in Hong Kong, about 100 years from now when most of the globe is governed by China, New Asia, as it is called then. As is the case today, we find a mix of English and Chinese throughout the society and I want my Chinese to be as accurate and believable as possible. After a couple of weeks, I finally got a student volunteer (he will get a signed copy of the book and credit in the back) to do a sanity check on my signs and use of the language. Sadly, based upon Linxiao’s assessment I had to go back and make some changes. Another reason that pages are not yet ready for prime time.
All of this is texture of course, background to add believability and context.
Other notes: On the design fiction front, I just got word that the paper I submitted to the World Future Society’s scholarly journal World Future Review, has been accepted, edited and will be published in the group’s upcoming special conference edition that will be distributed at the WFS conference in Toronto, later this summer.
Meanwhile, I am working away on my presentation to the Rocky Mountain Conference on Comics and Graphic Novels (RMCCGN) and it looks like I’m coming in right around 20 minutes. Now, I’m attending to the visuals. The topic is the same as the WFS paper: When designers ask, “What if?”